Saturday, July 30, 2011

SUPERHEAVY

For 18 months, Mick Jagger has been working on a secret album with Dave Stewart, Joss Stone, Damian Marley and AR Rahman. Super Heavy is the fitting name of this heavyweight musical collective, who plan to release their debut "fusion" album in September.

"It's a bit odd," Jagger told Rolling Stone. "A different kind of record than what people would expect." It's certainly a motley crew: one Stones frontman, one Eurythmics founder, one English soul singer, plus Bob Marley's youngest son and India's most famous film composer. But Jagger promised that Super Heavy's music is "not all weird and strange". Fans, he said, "will find most of it accessible". read more


text excerpted from www.guardian.co.uk

Tuesday, July 19, 2011

Laird Hamilton



Laird Hamilton has been a surfing hero since the 1980s, solidifying his reputation as the king of big wave surfing when he conquered Tahiti's Teahupo'o Reef at its most perilous in August 2000. As an innovator, he pioneered many new activities including kitesurfing, tow-in surfing and hydrofoil boarding. He's on the board of directors at H2O Audio, makers of pro-level waterproof iPhone and iPod cases, and has his own signature line of Surge waterproof earphones, proceeds of which are donated to the Beautiful Son foundation for autism education.

source: www.gizmodo.com

Monday, July 18, 2011

Scientist Swims -Au Naturale- with Belugas

Call her Natalia. Her story is like Ishmael's in "Moby Dick," but with more nudity and fewer harpoons and peg legs.
 

Natalia Avseenko, a Russian scientist, allegedly stripped naked and swam with two white whales in the Arctic to tame them before they were sent to an aquarium.
Her frigid tale was reported in the Daily Mail , which said she survives the dangerously cold waters through meditation and her background in yoga.
It's necessary for her to bathe au naturale, because marine biologists believe the beluga whales do not like to be touched by artificial materials, the Mail reported.
The aquatic ballet took place in the Murmansk Oblast of the White Sea off the coast of Russia, the British tabloid said. With sub-freezing temperatures at -1.5 Celsius or 29.5 Fahrenheit, the Daily Mail claimed that Avseenko held her breath underwater for more than 10 minutes.
Yet the newspaper didn't report what she did during the icy encounter to domesticate the mammals for their future lives in captivity.







source: www.huffingtonpost.com 
             www.dailymail.co.uk


        

Sunday, July 17, 2011

1965 Mercer-Cobra

 The 1965 Mercer Cobra would never have been built had it not been for the Copper Development Association, which wanted to show the practical modern uses of copper in automobile design. But it certainly would not have looked the way it did were it not for Virgil M. Exner and his son, Virgil, Jr., who transformed it from concept to reality.


 Photos by Darin Schnabel, courtesy RM Auctions and www.madle.org

Mercer-Cobra to cross the block in Monterey


Of the four now-famous Exner designs that appeared in the December 1963 issue of Esquire – renderings of classic American automobiles reinterpreted to contemporary tastes – three became full-size, real-life automobiles. The Stutz Super Bearcat became the Pontiac Grand Prix-based Stutz Blackhawk; the Duesenberg dual-cowl sport phaeton became the 1966 Ghia-built revival Duesenberg prototype; and with the help of a generous benefactor, the Mercer Type 35 became the one-off Mercer Cobra.

Funded by the Copper Development Association and built by Carrozzeria Sibona-Bassano of Turin, the Mercer-Cobra was finished in late 1964 and whisked off to a world tour promoting the CDA. It has since appeared in the pages of Special Interest Autos (SIA #39) and graced a number of noteworthy collections, and now RM has announced that it will go up for sale at its auction in Monterey next month with a pre-auction estimate of $800,000 to $1.2 million. From the auction description:
In the case of chassis number CSX2451, the Copper Development Association’s president, George M. Hartley, spied the Exner concepts on the pages of Esquire and contracted with Exner’s company to complete the design and have it built. With Ghia in financial trouble, Exner looked elsewhere for craftsmen capable of faithfully rendering the Mercer’s design features in metal. Brooks Stevens recommended Carrozzeria Sibona-Bassano in Turin. The company had been established by Elio and Emilio Bassano around 1962, but its capabilities and prestige were substantially augmented in 1962 when Pietro Sibona, one of Ghia’s master metal workers, joined them.

 Exner and his son and business partner, Virgil M. Exner, Jr., completed the design utilizing a chassis from AC Cars in the U.K. to which Sibona-Bassano faithfully and accurately adapted the design. Cobras were popular choices for specials builders and movie studios, as their series production and Ford-based drivetrain kept costs down. The ladder-frame construction was adaptable to almost any special bodywork and easily lengthened for specific appearance. AC easily pulled chassis off the line before bodies were mounted and supplied them in nearly ready-to-run condition for rapid modification and construction; in the case of the Mercer-Cobra, the chassis was lengthened to 108 inches.

Surviving period photographs which exist in the archives of the Henry Ford Museum show the clay model of the Mercer-Cobra in exceptional detail. Also in this collection are patent applications for the design of the body, as well as dramatic photos of the senior Exner supervising the design process. This collection of documents also indicates that the project was quite lucrative for the accomplished Exner; though the Cobra underlying the Mercer cost $2,800 with a total delivery price to Turin of $3,019 and the agreed price with Carrozzeria Sibona-Bassano for the delivered coachwork was $10,400, the contract with the CDA was for a total delivery price of $35,000.

A Singular Concept

The Copper Development Association’s Mercer-Cobra exploited the dramatic colors and textures of copper and copper-based materials to its advantage, particularly with the Brass-Era theme of the Mercer. Some eleven different materials, alloys and finishes were employed in both the interior and exterior to demonstrate the diversity of copper and brass. Exner’s design emphasizes the long hood and pushed-back passenger compartment with long blade-style front fenders open along the hood sides, abbreviated rear fenders with separate mudguards behind the rear wheels and a long, tapered rear deck. A classic-style brass grille with eight large elements in front of mesh stone guards proudly leads the Mercer-Cobra’s design statement. The headlights are ingeniously mounted on pivots where they swing back flush with the sides of the nose when not illuminated. Exner later observed, “our overall aim was to create an interesting and stimulating design rather than one which simply follows the ‘formula’ of a flat, low snout with a horizontal air scoop and a squared-off bobtailed rear.”



For practical purposes, brass and copper elements were covered with an acrylic coating to prevent discoloration and exterior moldings made of silicon bronze. The taillights are recessed in brass tunnels integrated with the rear-wheel mudguards. Interior trim, seat backs, door panels and dashboard gauges are executed in copper while a high-strength chromium-copper alloy is used in the steering-wheel spokes. The 16-inch wire wheels have multi-piece brass covers. Chrome plating is used deftly but sparingly throughout, mostly on a brass substrate, to accent the richness of the brass and copper elements. The engine has been given the brass and copper treatment on the valve covers, air cleaner, oil filler cap and dipstick housing. This treatment continues in the silicon bronze heat shield protecting the body and passengers’ legs from the chrome-plated side exhaust pipes. Even the brake discs are made from copper alloy where the high heat-transfer rate promotes exceptional performance.

Finished in pearl white with black leather interior trim and a full-width curved Plexiglas windscreen, the Mercer-Cobra was toured throughout the world at shows and technical gatherings to promote copper and brass use and adaptability, making appearances on six continents. Delivered in late 1964, only a year after the decision to construct it was made, the Mercer-Cobra attracted worldwide attention, including a lavish six-page feature in the Winter 1964 issue of Automobile Quarterly. It was retained by the Copper Development Association for some ten years, demonstrating what an effective device it was in promoting the objectives of the association members.


Chassis CSX2451 was purchased by concept-car collector Joe Bortz in the early 1970s and was later owned by collectors Jim Southard, Al Wright and Tom Barrett. It has been owned by the Lyon family since 1989 – over 20 years. Although it was never intended to be driven, it is a running, driving functional automobile, still essentially as it was when it left Carrozzeria Sibona-Bassano in late 1964, right down to the original tires. Recently the Mercer-Cobra concept car was displayed among a group of concept cars at the Pebble Beach Concours d’Elegance. Not only is the Mercer-Cobra Roadster an important piece of America’s automotive design history, it is a rare surviving work by one of the great automobile designers of the 20th century, Virgil M. Exner. Designed solely by him and his son and built under their direct supervision, every facet and design detail reflects his concept and ideas and is a singularly pure statement of his vision.


source: www.hemmings.com